Two days ago I took a few photographs at a fish pond next to Petach Tikva Museum of Art. There were a number of Tilapia fish swimming at the pond. Neither a slow shutter speed nor the series of quick interrupted shots used here are similar to the way we see movement. Yet, we can look at certain still images and make a pretty good guess of what reality was in those 2 to 4 seconds, while filling the gaps in our mind.
‘Under the Bridge’ is a blend of 11 photographs that were taken on a tripod in a bicycle highway at the end of a working day. Many young men and women use it on their way to a Hi-Tech neighborhood in Tel Aviv, or back home. I summoned the film photography master, Jerry Uelsmann, to justify the claim that this is nevertheless ‘photography’.
When I embed a color profile in a jpg image, I give you the option to see it just as I had created it. If you don’t, I will never see your image as you had envisioned it. This post explains why embedding color profiles is important, how can you even get to see color profiles, and how can you test if your browser actually reads them (i.e., is color managed).
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